Off-Ramp listeners, introducing The Big Disaster: The Big Burn from LAist Studios. As the world enters a new age of wildfires, science reporter Jacob Margolis dives deep into personal stories that illuminate the history of how we got here, why we keep screwing things up, and what we can do to survive and maybe even thrive while the world around us burns. 

Listen to this episode and catch all the others here. 

Preppi is giving a free emergency kit with any purchase over $100. Go to preppi.com/thebigburn for more information.

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/bigburn and get on your way to being your best self.

This piece from the vast Off-Ramp archive is from the very first Off-Ramp - August 5, 2006 - and it's still one of my favorites because it answers a very simple question. What's it like to ride a motorcycle in LA?

The obvious person to answer that question was Susan Carpenter, then the motorcycle columnist for the LA Times (now at Spectrum News 1), who put a little microphone into her helmet and then took off down the streets, roads, and freeways of LA.

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Here's a bonus Off-Ramp Episode to celebrate a special anniversary!

In 1938, Orson Welles and the Mercury Theatre scared the pants off the American public with the CBS Radio broadcast "The War of the Worlds."

In 2013, to mark the 75th anniversary of Welles' radio masterpiece, I commissioned RH Greene to produce a documentary telling the backstory of the broadcast, which he called "The War of the Welles." The icing on the cake is that it's introduced by the one and only George Takei. 

So let's listen to it again on the 84th anniversary, and lift a glass to the power of audio. 

(Fun fact: "The War of the Words" was broadcast on October 30, not 31, 1938.)

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Today, we dig into the Off-Ramp archives to pay tribute to a man named Jules Bass, who was a part of our childhood. Bass died Tuesday at the age of 87.

With his partner, the late  Arthur Rankin, Jr., Bass produced some of the most beloved children's Christmas TV specials: "The Little Drummer Boy," "Rudolph the Red-Nosed Reindeer," "Frosty the Snowman," and one more that maybe isn't really a Christmasspecial at all. 

In 2012, Off-Ramp's RH Greene argued cogently that "Santa Claus is Comin' to Town" was a Jewish origin story for Santa ... essentially a Hanukkah special. The clues are all there in plain sight: The villains are cartoon Nazis who burn toys instead of books. Santa is a foundling, like Moses, raised by Tante Kringle -- the Yiddish word for "aunt." And Santa is a freedom fighter, whose ragged band make an Exodus to their own promised land in the cold desert.

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Karen Ocamb is now a leading LGBTQ journalist in LA, but decades ago she was a cranky teenager on the East Coast, who was very gently reproved by Paul Newman over some freshly caught fish. When Newman died, Ocamb filed a loving commentary on her two encounters with the star.

Then, since Newman won the Academy's Jean Hersholt award at the Oscars in 1994, another distinguished journalist, Hollywood historian Alex Ben Block, goes to the Hollywood Walk of Fame to tell us who Jean Hersholt was and why he's beloved in the Industry.

Both of these pieces originally aired in October of 2008.

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

I start this week's podcast with a piece of audio I was instructed never to play again. Ever. It's Tom Jones adapting his mega-hit "She's a Lady," so it goes "He's a Rabe, whoah whoah whoah he's a Rabe..."

The person who told me not ever to run it again was Rico Gagliano, who was just jealous. I mean, the best he could ever get is Gerardo.

We originally aired this interview on KPCC in December of 2008, when Sir Tom released the album, "24 Hours."

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Is an NBA team like an orchestra? Does a classical maestro play showtunes? Is it okay to clap between movements? Are major keys happy and minor keys sad? Can Rabe play three notes on the piano?

For answers, we go back to 2014 to my interview - from the piano bench! - with Maestro Jeffrey Kahane, the affable polymath and world class pianist and conductor. This interview includes an exclusive performance of the Aria from Bach's "Goldberg Variations." Take that, Joe Rogan!

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

From 2014, Off-Ramp host John Rabe talks with Petros Papadakis, former singing waiter, captain of the USC football team, English major, color commentator, and co-host of "The Petros & Money Show" on AM 570 KLAC.

At the time, Rabe wrote, "After spending four hours in the KLAC studio in Burbank a couple weeks ago with Petros Papadakis and Matt "Money" Smith, I'm surprised I didn't wake up talking to myself at the Smokehouse, with three or four martinis drained on the table in front of me. It was that weird.  Loud, fast, stream-of-consciousness, sound effects, people talking in the studio when the mike is on. If KPCC is a Prius, the Petros and Money Show is a Camaro clown car."

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.